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Got any video editing advice to share with the community? Let us know in the comments below.– Over 15 hours of premium step-by-step video lessons on how to launch a profitable YouTube channel Audiences are getting used to rapid edits, so don’t be afraid to rapidly cut a project - as long as it still looks good. A host will jump from side to side after each sentence. If you watch just about any vlog on YouTube, you’ll see how the jump cut has been embraced by users. Like before, if you weren’t provided with images, look for some stock photos that fit your project. If the image is static for too long, throw in a quick pan to get a nice Ken Burns effect. For corporate videos, you may be able to get away with cutting to product images or the company logo. Like b-roll and stock footage, you can use still images to cover up those unwanted cuts. Resolve uses a similar morphing tool called smooth cut.Ĭheck out this quick smooth-cut tutorial from Ripple Training.įor more info on this technique, check out our in-depth post on using DaVinci Resolve smooth cut.
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If you don’t have Premiere Pro or Avid, you can download DaVinci Resolve for free.
In this video from Coffee & Celluloid, you’ll see a side-by-side comparison of Premiere Pro’s morph cut and Avid’s fluid morph. (The morph cut itself goes back well into the late 1990s and early 2000s in the edit bay of the Star Wars prequels.) Morph cut is a variation of Avid’s fluid morph tool, which has been around since the late 2000s.
Here’s a great Premiere Pro morph-cut tutorial from Resource Magazine. Now this doesn’t solve jarring jump cuts, but it can make subtle jump cuts invisible. The tool is a type of dissolve that helps morph your subject’s mannerisms and faces between clips. Adobe Premiere Pro just recently introduced the morph cut. This technique is available to users of Premiere Pro, Avid, and DaVinci Resolve. You’ll use the above-mentioned technique, and simply place the stock footage over the jump cuts. Just pick the clip that best fits your project. There were hundreds of traffic clips to choose from. You can search sites like for some stock video footage. If you don’t have any b-roll, try using stock footage. Now the audience can see how bad the traffic really is. Not only is the b-roll topical (as the goal of the video is to talk about traffic issues), it adds authority to the piece. You could even use multiple b-roll clips and only come back to the interview subject when necessary. Simply overlay some traffic footage and cover up the jump cuts. Now you will need to add some b-roll footage that you shot. The result may look like the following - a crazy jumble of jump cuts.
Let’s imagine you interviewed a city planner talking about traffic issues. First, edit to remove any of the “ and, umms” to create a single concise sentence. When the interview sounds great but looks like a jump cut disaster, you can easily hide the whole mess by overlaying b-roll. If you have a subject that stammers or “ umms and uhhs” their way through an interview, you’re going to want to edit out as many of those imperfections as possible. The easiest was to hide a jump cut is by cutting away to b-roll. (This isn’t the best way to operate, but it can help you fix your jump cut problem.) Here’s an example of 4K reframing from Lens Pro To Go.
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If only one camera was used to shoot the interview, you can still achieve a two-shot look with one camera. However, you will need footage that is in a higher resolution than your sequence.įor example, if you are editing a 1080p project, you’ll need 4K footage to reframe. Shoot a wide or medium shot in 4K, and in post you can reframe to a close-up. Like I mentioned above, a two-camera setup will make a project so much easier. That way you can use a few of these tricks to help you get rid of jump cuts. Hopefully they sent additional footage or elements along with the interview. If you are only editing footage that was sent to you, then things will get a little trickier. When shooting an interview, you’ll learn that a two-camera setup can save you so many headaches in the editing bay. Get two different shots, like a wide shot and a close-up, and then alternate between the shots when you need to. If you’re just editing a project, then you can only hope that you get plenty of footage to work with. If you are shooting and editing a video, it’s in your best interest to prepare as much as possible. Here are five ways to hide jump cuts and save your sanity.
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